Chapter 14​
Summary: The chapter begins with a conversation between Mr. Gilfil and Sir Christopher about their life plans and the upcoming marriage of Anthony. Suddenly, Caterina bursts into the room in a state of panic, delivering the news of Anthony's death in the Rookery. Sir Christopher rushes off while Mr. Gilfil tends to the faint Caterina, finding a dagger in her pocket. He fears what Caterina might reveal upon waking. Meanwhile, Sir Christopher discovers Anthony's lifeless body in the Rookery. He sends for help and medical assistance, hoping that Anthony has merely fainted and is not dead.
Main Characters: ['Mr. Gilfil', 'Sir Christopher', 'Caterina', 'Anthony', 'Rupert (the dog)', 'Mr. Bates']
Location: The Manor's library and the Rookery
Time Period: 1850s
Themes: ['Love', 'Death', 'Suspense', 'Fear', 'Sorrow']
Plot Points: ['Sir Christopher and Mr. Gilfil discuss their life plans and the upcoming marriage of Anthony', "Caterina bursts into the room with the news of Anthony's death", "Mr. Gilfil finds a dagger in Caterina's pocket", "Sir Christopher finds Anthony's lifeless body in the Rookery", 'Sir Christopher sends for help and medical assistance']
Significant Quotations: ['‘Yes, Maynard,’ said Sir Christopher, chatting with Mr. Gilfil in the library, ‘it really is a remarkable thing that I never in my life laid a plan, and failed to carry it out. I lay my plans well, and I never swerve from them--that’s it. A strong will is the only magic.', 'Anthony ... the Rookery ... dead ... in the Rookery', 'Still he might only have fainted; it might only be a fit. Sir Christopher knelt down, unfastened the cravat, unfastened the waistcoat, and laid his hand on the heart. It might be syncope; it might not--it could not be death. No! that thought must be kept far off.']
Chapter Keywords: ['Death', 'Love', 'Marriage', 'Dagger', 'Rookery', 'Fainting', 'Suspicion', 'Sorrow']
Chapter Notes: ["The chapter introduces a turning point in the story with the death of Anthony. The discovery of the dagger in Caterina's pocket raises suspicion about her possible involvement in Anthony's death. The chapter also highlights the themes of love, death, and sorrow."]
‘Yes, Maynard,’ said Sir Christopher, chatting with Mr. Gilfil in the library, ‘it really is a remarkable thing that I never in my life laid a plan, and failed to carry it out. I lay my plans well, and I never swerve from them--that’s it. A strong will is the only magic. And next to striking out one’s plans, the pleasantest thing in the world is to see them well accomplished. This year, now, will be the happiest of my life, all but the year ’53, when I came into possession of the Manor, and married Henrietta. The last touch is given to the old house; Anthony’s marriage--the thing I had nearest my heart--is settled to my entire satisfaction; and by-and-by you will be buying a little wedding-ring for Tina’s finger. Don’t shake your head in that forlorn way;--when I make prophecies they generally come to pass. But there’s a quarter after twelve striking. I must be riding to the High Ash to meet Markham about felling some timber. My old oaks will have to groan for this wedding, but’--
The door burst open, and Caterina, ghastly and panting, her eyes distended with terror, rushed in, threw her arms round Sir Christopher’s neck, and gasping out--‘Anthony ... the Rookery ... dead ... in the Rookery’, fell fainting on the floor.
In a moment Sir Christopher was out of the room, and Mr. Gilfil was bending to raise Caterina in his arms. As he lifted her from the ground he felt something hard and heavy in her pocket. What could it be? The weight of it would be enough to hurt her as she lay. He carried her to the sofa, put his hand in her pocket, and drew forth the dagger.
Maynard shuddered. Did she mean to kill herself, then, or ... or ... a horrible suspicion forced itself upon him. ‘Dead--in the Rookery.’ He hated himself for the thought that prompted him to draw the dagger from its sheath. No! there was no trace of blood, and he was ready to kiss the good steel for its innocence. He thrust the weapon into his own pocket; he would restore it as soon as possible to its well-known place in the gallery. Yet, why had Caterina taken this dagger? What was it that had happened in the Rookery? Was it only a delirious vision of hers?
He was afraid to ring--afraid to summon any one to Caterina’s assistance. What might she not say when she awoke from this fainting fit? She might be raving. He could not leave her, and yet he felt as if he were guilty for not following Sir Christopher to see what was the truth. It took but a moment to think and feel all this, but that moment seemed such a long agony to him that he began to reproach himself for letting it pass without seeking some means of reviving Caterina. Happily the decanter of water on Sir Christopher’s table was untouched. He would at least try the effect of throwing that water over her. She might revive without his needing to call any one else. Meanwhile Sir Christopher was hurrying at his utmost speed towards the Rookery; his face, so lately bright and confident, now agitated by a vague dread. The deep alarmed bark of Rupert, who ran by his side, had struck the ear of Mr. Bates, then on his way homeward, as something unwonted, and, hastening in the direction of the sound, he met the Baronet just as he was approaching the entrance of the Rookery. Sir Christopher’s look was enough. Mr. Bates said nothing, but hurried along by his side, while Rupert dashed forward among the dead leaves with his nose to the ground. They had scarcely lost sight of him a minute when a change in the tone of his bark told them that he had found something, and in another instant he was leaping back over one of the large planted mounds. They turned aside to ascend the mound, Rupert leading them; the tumultuous cawing of the rooks, the very rustling of the leaves, as their feet plunged among them, falling like an evil omen on the Baronet’s ear.
They had reached the summit of the mound, and had begun to descend. Sir Christopher saw something purple down on the path below among the yellow leaves. Rupert was already beside it, but Sir Christopher could not move faster. A tremor had taken hold of the firm limbs. Rupert came back and licked the trembling hand, as if to say ‘Courage!’ and then was down again snuffing the body. Yes, it was a body ... Anthony’s body. There was the white hand with its diamond-ring clutching the dark leaves. His eyes were half open, but did not heed the gleam of sunlight that darted itself directly on them from between the boughs.
Still he might only have fainted; it might only be a fit. Sir Christopher knelt down, unfastened the cravat, unfastened the waistcoat, and laid his hand on the heart. It might be syncope; it might not--it could not be death. No! that thought must be kept far off.
‘Go, Bates, get help; we’ll carry him to your cottage. Send some one to the house to tell Mr. Gilfil and Warren. Bid them send off for Doctor Hart, and break it to my lady and Miss Assher that Anthony is ill.’
Mr. Bates hastened away, and the Baronet was left alone kneeling beside the body. The young and supple limbs, the rounded cheeks, the delicate ripe lips, the smooth white hands, were lying cold and rigid; and the aged face was bending over them in silent anguish; the aged deep-veined hands were seeking with tremulous inquiring touches for some symptom that life was not irrevocably gone.
Rupert was there too, waiting and watching; licking first the dead and then the living hands; then running off on Mr. Bates’s track as if he would follow and hasten his return, but in a moment turning back again, unable to quit the scene of his master’s sorrow.